Bryant+Poetry

flat =Thanatopsis=

Wiliam Cullen Bryant
//Thanatopsis, written by William Cullen Bryant at the age of 17, is considered to be a masterpiece of American poetry. The title is from the Greek thanatos ("death") and the suffix -opsis (literally, "sight"); it has often been translated as "Meditation upon Death." More literally, it means "A View of Death."// (from [|Wikipedia] ) To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth under the open sky, and list To Nature's teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice—Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix forever with the elements; To be a brother to the insensible rock, And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world,—with kings, The powerful of the earth,—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun; the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean's gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man! The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings,—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest; and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life's green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

=To a Waterfowl (1815)=

William Cullen Bryant
Whither, 'midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way?

Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along.

Seek'st thou the plashy brink Of weedy lake, or marge of river wide, Or where the rocking billows rise and sink On the chafed ocean side?

There is a Power whose care Teaches thy way along that pathless coast,-- The desert and illimitable air,-- Lone wandering, but not lost.

All day thy wings have fann'd At that far height, the cold thin atmosphere: Yet stoop not, weary, to the welcome land, Though the dark night is near.

And soon that toil shall end, Soon shalt thou find a summer home, and rest, And scream among thy fellows; reeds shall bend Soon o'er thy sheltered nest.

Thou'rt gone, the abyss of heaven Hath swallowed up thy form; yet, on my heart Deeply hath sunk the lesson thou hast given, And shall not soon depart.

He, who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright.

= The Death of the Flowers=

William Cullen Bryant
The melancholy days have come, the saddest of the year, Of wailing winds, and naked woods, and meadows brown and sere; Heaped in the hollows of the grove, the autumn leaves lie dead; They rustle to the eddying gust, and to the rabbit's tread; The robin and the wren are flown, and from the shrubs the jay, And from the wood-top calls the crow through all the gloomy day. Where are the flowers, the fair young flowers, that lately sprang and stood In brighter light and softer airs, a beauteous sisterhood? Alas! they all are in their graves, the gentle race of flowers Are lying in their lowly beds with the fair and good of ours. The rain is falling where they lie, but the cold November rain Calls not from out the gloomy earth the lovely ones again. The wind-flower and the violet, they perished long ago, And the brier-rose and the orchis died amid the summer glow; But on the hill the goldenrod, and the aster in the wood, And the yellow sunflower by the brook in autumn beauty stood, Till fell the frost from the clear cold heaven, as falls the plague on men, And the brightness of their smile was gone, from upland, glade, and glen. And now, when comes the calm mild day, as still such days will come, To call the squirrel and the bee from out their winter home; When the sound of dropping nuts is heard, though all the trees are still, And twinkle in the smoky light the waters of the rill, The south wind searches for the flowers whose fragrance late he bore, And sighs to find them in the wood and by the stream no more. And then I think of one who in her youthful beauty died, The fair meek blossom that grew up and faded by my side. In the cold moist earth we laid her, when the forests cast the leaf, And we wept that one so lovely should have a life so brief: Yet not unmeet it was that one, like that young friend of ours, So gentle and so beautiful, should perish with the flowers.

=A Song for New Year's Eve=

William Cullen Bryant
Stay yet, my friends, a moment stay— Stay till the good old year, So long companion of our way, Shakes hands, and leaves us here. Oh stay, oh stay, One little hour, and then away.

The year, whose hopes were high and strong, Has now no hopes to wake; Yet one hour more of jest and song For his familiar sake. Oh stay, oh stay, One mirthful hour, and then away.

The kindly year, his liberal hands Have lavished all his store. And shall we turn from where he stands, Because he gives no more? Oh stay, oh stay, One grateful hour, and then away.

Days brightly came and calmly went, While yet he was our guest; How cheerfully the week was spent! How sweet the seventh day's rest! Oh stay, oh stay, One golden hour, and then away.

Dear friends were with us, some who sleep Beneath the coffin-lid: What pleasant memories we keep Of all they said and did! Oh stay, oh stay, One tender hour, and then away.

Even while we sing, he smiles his last, And leaves our sphere behind. The good old year is with the past; Oh be the new as kind! Oh stay, oh stay, One parting strain, and then away.

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